This year marks the 70th anniversary of the arrival of the Empire Windrush, which docked in London on 21 June 1948 carrying 492 passengers from the West Indies who planned on settling in the UK. The arrival of the Windrush is traditionally taken to mark the beginning of a period, lasting from 1948 to 1971, of migration from the Commonwealth to the UK – the “Windrush Generation”.
To celebrate the arrival of the Windrush and its passengers, and to mark Black History Month, we have put together the exhibition ‘Wiltshire Remembers the Windrush Generation’ to showcase the stories of some of the many West Indians who came to settle here in Wiltshire.
The exhibition draws on recollections gathered as part of the SEEME project, a Heritage Lottery funded community project where local people and organisations worked with Wiltshire Council, Wiltshire Music Centre & Salisbury Playhouse to collect life story testimonies from Black, Asian & minority ethnic (BAME) elders across Wiltshire to ensure that their stories are recorded and archived for future generations.
Using these recollections it covers the story of the Windrush Generation in Wiltshire, from their reasons for leaving the Caribbean and their first impressions of the UK to their working lives and sense of identity. One of the key themes that runs through all of these areas is the relationship between the new, Black, arrivals and the existing, White, communities in Wiltshire.
For example Rollin, who came to Britain in 1956, remembered clear examples of experiencing racism at work. In particular he recalled “working with a bloke and we’re working, he's my work mate, two of us are working. And he says why don't you go back on your banana tree and all that sort of thing, and I thought why, why you have to say that, y'know? Cause it's stupid! I’d say it's so good I have a banana tree I can go back, but what did he have?”
Likewise Glenda remembered experiencing casual racism throughout her life here, even very recently. “When I first came, I remember someone asking me if we lived in trees, and if we had a tail like a monkey, and but eventually comments like that sort of tailed off. But work wise, I've had problems with work. I mean just before I retired somebody I worked with called me a "black bitch” … I experienced other prejudices, like not being encouraged to further my training … And those sort of things stay with you for such a long time, and you end up getting sort of fearful for how people are going to treat you.”
The racism that many experienced was not confined to words, either – many people we talked to remembered experiencing, witnessing or hearing of physical attacks. Even before coming to Britain in 1961, Sylvia remembered hearing “that they attack black people” in Britain. Whilst living here “I never experienced it, but people would be pushing their babies - black people would be pushing their babies in a pram and some white people would come up and spit on the baby.”
Scotch had a more direct personal experience with racial violence: “in those days there what you call Teddy boys and Angels they used to walk with bicycle chain, knuckle duster and knife and things like that, ready to fight the blacks we have to prepare ourselves to protect ourselves otherwise we wouldn't be here. My brother almost got killed where four white blokes beat him up badly.”
Not all racism was as obvious as this. Tom joined the armed forces and remembers a more subtle (relatively speaking) form of discrimination. “In those days, wherever you got posted, the first thing that would happen was you would go to the camp, hand your papers in and whoever was sitting on the other side of that desk would say ahhh, a West Indian, cricket! And I would say, I do not play cricket. And they couldn’t understand that, you know they’d continue, you guys can really play cricket, what are you, batsmen or a bowler? I do not play cricket. You really don’t play cricket? And that was it. That was me ignored for the next three months. That happened everywhere I went.”
Whilst Tom’s experience of cricket was a tool of exclusion, for others it helped to bring the community together. Bert recalled that “Where I first started off in the type of work I was doing, back in 78/79 actually, there was a police who was killed by a black man in Trowbridge. And it was underlying tension, so I formed the Cavaliers, which was made out of all black people, who played for the Cavaliers. And each year we have two cricket matches against the police, we bring the black community and the police together.”
The care and provision for people with mental health issues is a current high-profile concern, but how have people been cared for historically in Wiltshire? The availability on Ancestry of the Lunacy Patients Admission registers from 1846-1912 (held at the National Archives MH 94) – an index giving the name of each patient, date of admission, discharge or death and name of institution - the census returns from 1841-1911 and death certificates –have led to numerous enquiries about ancestors in Wiltshire institutions. The County Asylum at Devizes ( Roundway ) opened in 1851 and we have extensive detailed patient case records; similarly for Fisherton House , later known as the Old Manor Hospital, Salisbury. Visitors can use these records to find out more about their ancestors’ treatment (although they are subject to a 100 year closure period), but what of mental health care before this time?
The term ‘lunatic’ is a pre-20th century word used to describe someone who was mentally ill or emotionally disturbed; it was a very broad term. Many so described were perhaps eccentric, very intelligent, physically or mentally handicapped in some way, senile ,or suffering from conditions that today would be treated with drugs and in the home such as epilepsy or post natal depression – few were ‘mad ‘ but their behaviour was such that they could not be cared for at home.
The earliest asylum, Bethlem or ‘Bedlam’ Hospital in London was established in the 13th cent but generally provision was not widespread until the 18th cent. Private asylums or madhouses were set up to cater for those who could afford to pay. Pauper lunatics were dealt with locally by their families or ended up in workhouses or prisons; however, if the parish agreed to pay the fees they could be treated in the private asylums. The first Act to regulate madhouses was in 1774 by which the institutions were licensed by the local magistrates; a further Act of 1828 appointed committees of visitors to inspect and report on the premises and the medical care provided. In Wiltshire 7 private asylums were licensed:- Laverstock House, Laverstock ; Fiddington House, Market Lavington ; Fisherton House, Fisherton Anger ; Kingsdown House , Box ; Belle Vue , Devizes ; Fonthill Gifford and Calne.
The records that survive consist of admission registers, minutes of the visitors, annual reports and plans. The admission registers record the name, date of admission, parish, marital status, occupation, by whom sent, whether pauper or private and date of discharge or death. No treatment records survive. They do show how Wiltshire’s institutions attracted patients from a wide area of the south-west and London- whether this was because of the ‘facilties’ offered and reputation or simply because families did not want their ‘lunatic’ relatives close to home.
An advertising prospectus survives for Laverstock House from the 1830’s which extols its virtues. ‘The situation of Laverstock House is peculiarly eligible. Surrounded by large Gardens and Pleasure Grounds in the midst of a fine and extended Country, it is at once retired and cheerful, and affords the most ample means for indulgence in those exercises which are so essential to the happiness and health of the Patients’… Male and female patients had separate apartments, subdivided by disease, habits and ‘station in life’ with superior accommodation for ‘Persons in the higher walks of Society’…’ Every possible kind of amusement was provided for them; billiards, backgammon, cards, books etc indoors; bowls, cricket, greyhounds, riding on horseback and in a carriage, out of doors; a Chapel on Sundays’
Since I started at the Wiltshire and Swindon History Centre in November 2015, the main project I have been working on has been Wiltshire at War: Community Stories. I would like to let you know what the project has achieved so far, what we would still like to do, and how you can get involved.
What is Wiltshire at War: Community Stories? Wiltshire at War: Community Stories aims to bring people together from across Wiltshire to discover, explore and share stories about Wiltshire’s response to the First World War. It is supported by the Heritage Lottery Fund.
What has been achieved so far? During 2014, enthusiastic people from museums and heritage organisations were trained to carry out oral history interviews and community engagement sessions relating to gathering stories about the First World War. Throughout 2014 and 2015 (and now into 2016) research has been carried out by museums, history societies, and individuals from all over Wiltshire who have donated the stories to the Wiltshire at War project. In January 2015 the Wiltshire at War website went live. Do visit the website and explore this growing archive of stories.
The Call to Arms, the first of the five exhibitions, launched in February 2015 and is currently on display in the Springfield Campus Library, Corsham, until 3 March 2016. The theme focuses on the soldiers called up to fight, and the preparations for war in Wiltshire. The second exhibition, Wiltshire Does Its Bit, launched in September 2015, and is currently on display at Chippenham Museum, until 27 February 2016. The theme focuses on the contributions of ordinary people to the war effort at home in Wiltshire. Both these exhibitions are currently touring Wiltshire, and are available to hire, free of charge.
There are four identical schools’ exhibitions that have launched, are touring, and can be booked free of charge. They come with a handling kit to bring the exhibition to life, and complimentary teaching resources for key stages 1-3 are available on the website. There were library talks in 2015 from the likes of Stewart Binns and Elizabeth Speller, in Corsham, Salisbury, Warminster, and Mere, and they have been accompanied by a comprehensive book display.
Yes, you did read the title correctly. For all you keen cricket lovers who have been following the ups and downs of the England cricket team, Alistair Cook’s batting form, Jimmy Anderson’s swing bowling and the furore over Kevin Pietersen’s omission from the team; well here at last is some cheering news. Unfortunately we do have to travel back to … 1900.
Cricket in Wiltshire actually dates back to the mid eighteenth century. Now we like to think we are a pioneering lot in Wiltshire and one of the earliest matches involved 11 married women versus 11 single women at Upham near Aldbourne in 1768. Other early matches include the tradesmen of Marlborough playing their counterparts from Devizes in 1774 on Beckhampton Down and several matches near Stonehenge. Around 50 years later a Stonehenge Club had been formed and their ground was much admired (now we know what the stone circle was really used for!). For fans of ‘sledging’ (for the uninitiated that means trying to put your opponent off through pointed and sometimes humorous verbal interaction) in 1783 a Westbury cricket team were reprimanded for ‘conduct unworthy of true players’ in their match against Devizes.
The 2014 Winter Olympics will soon be upon us, and as we'll be cheering on Pewsey’s very own Shelley Rudman, I thought I would bring to light another of Wiltshire’s pioneering sportswomen. Fanny Williams played for Swindon Town ladies football team in the 1920s. Ladies football developed during World War I when the employees of munitions factories formed teams to play each other. The Football Association banned ladies football on their grounds but the English Ladies Football Association was formed in 1921. A national Challenge Cup competition was begun in 1925. Fanny’s boots are kept at the Swindon Museum and Art Gallery.
Wiltshire can also be said to possess some famous athletics stars of the past. Walter George was reported to be the finest runner of the Victorian era, with a ‘phenomenal’ performance in 1886. He became a ‘national institution’ and was the sporting world’s very first superstar. His method of training involved brine baths and a ‘100-up’ exercise. He also enjoyed beer drinking and smoking, but still managed to produce a new ‘miracle mile’ that lasted for 29years. He was born in 1858 and suffered from asthma, croup and St. Vitus’ dance as a child. He lived in Calne; his father was a pharmacist whose clients came from many parts of Wiltshire. As a child he was encouraged to get lots of fresh air and went off running for an hour or two, especially around the area from Cherhill to Morgan’s Hill with the white horse and newly erected Lansdowne Monument. It was at Lillie Bridge on August 23rd, 1886 where Walter smashed the mile record by four seconds. One spectator stated that silence prevailed whilst waiting for the time to be displayed onto the board. Then a roar went up ‘Such a roar thrills me now as I write this... thousands broke loose from every quarter and rushed madly across the ground towards the victor’. It was the fastest mile in history at four minutes twelve and three quarters. Walter’s brother Alfred was also a title winning athlete who later managed the British team at the 1924 Olympics.