Conservators from the Conservation and Museum Advisory Service at the Wiltshire and Swindon History Centre have been out and about visiting museums in Salisbury. Our time visiting local museums is used primarily to provide advice and guidance on specialist aspects of caring for a museum collection. Often this involves walking a fine line, balancing the need for conservation and long term preservation of a collection with the very important need for a museum to display and allow access to its collection. For the conservation of many objects the ideal storage location would be a cold, dark, sealed box. However this is obviously impractical, not only for any museum to achieve, but is contradictory to the reason for preserving collections: allowing people to see and access items for a long time to come. Collection care is therefore a balance of risks, between what is best for the collection item and how the item can best serve the needs of the museum.
Arundells, the former home of Sir Edward Heath KG MBE, Prime Minister and Statesman, houses a diverse collection. The museum maintains Sir Heath’s home as it was at the time of his death and so collection items such as a grand piano, fabulous art works and gifts from his state visits sit side by side with yachting photographs, satirical cartoons and even a very 70’s disco shirt!
The collection item most memorable from our visit was the hand-painted silk wallpaper which lines the visitors’ route up the staircase to the first floor. The wallpaper, a gift to Sir Heath from his staff, was installed in the house in the 1980’s.
Keeping the location of the wallpaper at Arundells is crucial as it was purposefully created for the location chosen by Sir Heath himself. To remove the wallpaper and hide it away in dark, cold storage would irretrievably reduce its historical value. So the question is how best to preserve the wallpaper on permanent and open display in the museum?
Historic houses often have collection items (otherwise known as fixtures and fittings), such as wallpapers, curtains, carpets and furniture which are required to be maintained in their normal settings. Curtains can best be understood as curtains if they continue to frame a window and wallpaper is best understood if it remains lining a wall. Contrary to our conservation ‘dark box’ a controlled environment is particularly difficult to maintain for fixtures and fittings on permanent display in their original locations. Particular threats to these collections are high light levels from windows and internal lighting, warm conditions from internal heating and pests.
There has been a lot in the media recently about the centenary on 6th February 2018 of the Representation of the People Act 1918 but a lot of this has focused on female suffrage and of course this Act represented a big landmark in suffrage reform for men as well as women. The focus as well, understandably, has been on the national picture and I hope in this blog to shed a bit of light on Wiltshire’s story.
Background: the suffrage movement in the 19th century
The 19th century saw a great deal of progress in the movement towards votes for men and women which is useful background to the 1918 Act. At the start of the 19th century only a small minority of people could vote, based on freehold property ownership – this did, however, include an even smaller minority of women! In Wiltshire in 1831 there were 2 county MPs and 32 borough MPs, voted for by around 1200 people i.e. 0.5% of the total population of around 240,000. Some people had more than one vote and the system was unfair – large boroughs had the same number of MPs as smaller ones with fewer voters. Some Wiltshire boroughs were ‘rotten boroughs’ ie having a tiny number of voters who were in the pockets of a landowner who effectively bribed them to vote a certain way – Old Sarum is a notorious example cited for this, being in the pocket of the Pitt family from the 17th century to 1802. These local issues are symptomatic of the wider lack of the genuine democracy which many people wanted to see, and the example of revolutionary France (1789) was a cautionary tale of what might happen if reforms didn’t take place.
With the passing of the 1832 Great Reform Act Wiltshire lost 16 of its seats in Parliament, leaving 18 in total – 2 members for the northern division, 2 for the south; 1 each for Wilton, Westbury, Malmesbury, and Calne boroughs; and 2 each for Chippenham, Cricklade, Devizes, Marlborough, and Salisbury. The franchise was widened for men to include small landowners, tenant farmers and shopkeepers for the county vote. For the borough vote the irregularities and disparities were sorted out by the creation of a uniform franchise giving the vote to all householders who paid a yearly rental of £10 or more, and some lodgers. (Source: www.parliament.uk/reformact1832/) For women the result was catastrophic - total exclusion from the parliamentary franchise. However, it is very important to remember, as Dr Sarah Richardson has shown (https://victoriancommons.wordpress.com/2013/03/18/the-victorian-female-franchise/), large numbers of women continued to vote for and hold office for a range of local bodies, including overseers of the poor, surveyors of the highway and constables, due to paying poor rates.
Disappointed by the limitations of the 1832 Act campaigners called the Chartists were pressing for (amongst other things) a vote for all men over 21 of sound mind and not in prison; for secret ballots; for payments for MPs to allow ordinary working people to become MPs; and a fairer distribution of numbers of voters in constituencies – all things which seem very reasonable by modern standards! In 1839 and 1840 the Chartists had torchlight processions, fiery speeches, and threats to resort to arms in Bradford on Avon, Trowbridge, Westbury, Holt and Salisbury, and outright rioting in Devizes. Though the magistrates were undoubtedly alarmed by this they acted with restraint and managed to avoid too much bloodshed in their deployment of troops. The local ringleaders based in Trowbridge and Westbury were arrested and indicted of conspiracy with intent to disturb the peace. Three of the local leaders were sentenced to two years’ imprisonment, one with hard labour. Apart from a militant flare-up in Swindon in 1848, this was the end of militant Chartism in Wiltshire.
Between 1832 and 1867 the large landowners continued to have huge political influence in Wiltshire. The more open forms of bribery had been banned but other more subtle forms continued to exist – paying election expenses, or using precarious tenancies where a tenant farmer was unable to vote independently of his landowner for fear of losing the farm. This wasn’t sorted out till the 1872 Secret Ballot Act. However relations between the landowning and other classes were improving due to things like improvements in housing, sanitation and education. The growth of literacy among working class people helped fuel a demand for local newspapers - 35 newspapers started in Wiltshire between 1830 and 1911. Some of these represented the Tories, some the Whigs (Liberals). This growth in education helped to give working class men both greater aspirations to get involved in politics and the means to achieve it. 1866 saw the first mass petition in favour of votes for women, which was presented to Parliament (available online at: https://www.parliament.uk/1866) Only three Wiltshire women signatories are listed: Anne Cunnington of Devizes, and Miss Lanham and Miss Turner who ran a ladies’ boarding seminary, Claremont House, Corsham. The petition was unsuccessful but both the Tories and the Whigs could see that further parliamentary reform was needed and the 1867 Second Reform Act (www.parliament.uk/furtherreformacts/) widened the franchise to all male householders in the boroughs, as well as lodgers, who paid rent of £10 a year or more. It also reduced the property threshold in the counties and gave the vote to agricultural landowners and tenants with very small amounts of land. It is estimated that before the Act nationally only 1 million men (of a population of 7 million adult males) could vote; after the Act that was doubled. In Wiltshire that figure was 12,500 men, representing 3.5% of the total population. (Women were still excluded from the parliamentary franchise.)
In 1835 the Municipal Corporations Act had ended women’s right to vote for Guardians or in local elections. This right was returned to them in 1869 with the Municipal Franchise Act enabling female ratepayers to vote for local municipal councils and to elect, and stand as, Guardians of the Poor, although a court case of 1872 restricted this right to unmarried women or widows. The period 1869-1875 saw a lot of activity in Wiltshire relating to the campaign for female suffrage. 26 July 1869 saw a petition in favour of suffrage by Wiltshire women, led by the residents of Salisbury. A meeting about suffrage also took place in Salisbury in March 1871 but this was the last of its kind before 1909. Petitions in favour of suffrage also took place in 1870 and 1873 in Marlborough; in 1870 in Trowbridge and in Westbury (followed by a public meeting on the topic in 1874); and in Market Lavington in 1870 and campaigner Rhoda Garrett spoke at a meeting there in 1872. Suffrage speakers spoke at public meetings in Calne and Chippenham in the late 19th century, but no actual suffrage groups were formed in those towns. Bills in favour of women’s suffrage were placed before Parliament on an almost annual basis from now onwards but were repeatedly defeated before 1918.
The 1884 Reform Act (https://www.parliament.uk/one-man-one-vote/) was a big step in the campaign to expand male suffrage. It established a uniform franchise throughout the country and brought the franchise in counties in line with the 1867 lodger and householder franchise for boroughs, in other words all men paying an annual rental of £10 and all men holding land valued at £10 now had the vote. In 1885 the Redistribution of Seats Act was a big step forward in redrawing boundaries to make electoral districts more equal. Wiltshire was left with just 6 seats, one each for the north, north-east, north-west, west, and southern divisions, plus one parliamentary borough, Salisbury. Under the 1884 Act the British electorate now totalled over 5 million but this still only represented about 60% of men, and women continued to be completely excluded from parliamentary elections.
Women’s and Working Class Men’s Suffrage Campaign 1880s-1918
In the 1880s a large number of women began getting very involved in politics and local government, taking part as local organisers, canvassers and speakers for the different political parties, and serving on school boards and Boards of Guardians. The 1888 County Council Act gave female rate-payers the right to vote in Council and Borough elections. Feeling that the Liberal party were not doing enough to represent working people the Independent Labour Party was founded in 1893. In 1900 the ILP played a key role in founding the Labour Representation Committee which became the Labour Party in 1906. The party actively encouraged women to join, linking the quest for universal male suffrage and rights for working class men with the cause of women’s suffrage.
Putting things very simply, there were two main bodies of women campaigning for the vote: the suffragists, who from the 19th century up to 1918 pursued peaceful means to acquire the right to vote, and the suffragettes, formed in 1903, who took a more militant approach. In 1897 the suffragists grouped together to form the National Union of Women’s Suffrage Societies under the leadership of Milicent Fawcett. The leadership was middle class but many working class women joined the movement and the Union was affiliated to Labour in 1912. The Women’s Social and Political Union was set up in 1903 by Emmeline Pankhurst, who was impatient with the slow, gradual approach of the suffragists. Taking inspiration from the earlier Chartists, “deeds not words” was their motto and this escalated from occasional acts of vandalism and arson to the infamous instance of Emily Wilding Davison throwing herself under the King’s horse at the Derby in 1913. The suffragettes were punished in a draconian fashion by the government - when they went on hunger strike they were subjected to the terrible ‘cat and mouse’ regime of force-feeding, release and re-arrest which understandably won them a good deal of public sympathy. The suffragettes were led by the middle class Pankhursts but had many working class members. Sylvia Pankhurst, however, broke away from the WSPU in 1914 and formed a socialist splinter group.
This same mix of suffragists and suffragettes can be found in Wiltshire although it’s fair to say the former far outweigh the latter, at least as far as we can tell from the local newspapers which are one of the key sources. Of the suffragettes, we might think of Edith New, a school teacher born in Swindon, who became an activist for the WSPU. Edith chained herself to the railings at 10 Downing Street in Jan 1908, the first time that tactic had been employed by a suffragette. She resigned from teaching and devoted herself full time to the cause, ending up imprisoned and on hunger strike for her beliefs. (See Volume 1 of Swindon Heritage Magazine held at WSHC for an article about Edith by Frances Bevan.) It is perhaps no surprise that Edith came from Swindon as this town held important meetings about women’s suffrage at the Mechanics’ Institute in March 1875 and again in 1882, featuring speakers from the Bristol Society. Devizes had a branch of the WSPU, formed in 1911, with Katharine Abraham as Secretary, which organised a resistance to the 1911 census. In Trowbridge Lilian Dove-Willcox travelled from her home in Bristol to work as an organiser for the WSPU and was joint secretary with Miss B Gramlich of the West Wilts WSPU. Her entry in the 1911 census shows the use of it as a tool for protest by some suffragettes.
Dr Jane Howells has discussed the formation of the Salisbury Women’s Suffrage Society (SWSS) which began life in the summer of 1909 following an earlier meeting in February at the Godolphin School – the first meeting on the subject of female suffrage since 1871. “About 20 were present, all of whom were in favour of the object of the meeting though their opinions differed widely as to the best methods to pursue…” (Salisbury Journal 3 Jul 1909, reprinted in Sarum Chronicle volume 9) The Salisbury group was affiliated to the NUWSS, thus they were suffragists not suffragettes. By 1913 another NUWSS society had been formed in south Wiltshire, at Fovant, to serve the women in the south of Wiltshire outside the City. Swindon was the home of the Swindon and North Wiltshire Suffrage Society.
It is important to recognise that not all women were in favour of suffrage. The Women’s National Anti-Suffrage League was formed in 1907 and locally Edith Olivier is an example of a Wiltshire person who actively opposed suffrage. For example, on 4 July 1910 she writes in her diary:
“Monday 4th To see lots of ratepaying women asking them to write to Mr Bathurst [local MP] & tell him they are not in favour of women’s Suffrage. The bill comes on next week. He is said to be going to vote for it.” (982/44.)
Now in The Salisbury Museum, the Salisbury Giant and Hob-Nob were first mentioned in 1570 and 1572 respectively, in records from the Salisbury Guild of Tailors but it is probable he existed by the 1400s. Originally used by the Salisbury Guild of Tailors on the eve of the feast of St John (Midsummer’s Day), they have been a part of processions and festivals in Salisbury, originally to mark the eve of St John the Baptist’s Day (June 23rd) and the eve of the feast of St Osmund’s translation (July 15th), but later to be paraded for special occasions, such as royal weddings and jubilees.
The Salisbury Giant is a tall (now 12ft) figure made from a wooden frame; the oldest part of which is the head. Hob-Nob’s purpose in celebrations and parades was to clear the way for the Giant – he is smaller, and horse-like, with jaws fitted with hob-nails to snap at members of the crowd if they were in the way. In the nineteenth and twentieth centuries there were reports of the hobby horse chasing people and ripping their clothes with his teeth as a result of people throwing things at him. The Giant and Hob-Nob could each be supported by one man holding the frame. This resulted in the Salisbury Giant having a very life-like sway and movement.
The physical appearance of the Giant has changed frequently since the sixteenth century. Most depictions of him in the nineteenth century show a tricorn hat and tobacco pope, but in the twentieth century he was garbed in fifteenth century style robes. One of the biggest changes to his appearance was also in the twentieth century, when his face was painted over with shellac to preserve it, but had the side effect of making him look as if he was from African descent. A restoration later on discovered around 6 layers of pink-ish paint underneath.
Some say that the Salisbury Giant represents St Christopher, the biblical giant, and that he was detached of his religious significance during the Reformation and the Puritan era. However, it has also been pointed out that other than his bearing, the Salisbury giant has no other similarities to the saint.
The outstanding Salisbury Diocesan Probate collection contains 105,000 wills and inventories and approximately 400,000 individual documents dating from Tudor to Victorian times c.1560-1858. This unique collection covers the whole of Wiltshire and Berkshire, and those parts of Dorset, and Uffculme in Devon which came under the jurisdiction of the Dean of Sarum.
In January 1858 civil registries became responsible for probate matters. The Salisbury Diocesan wills were sent from Salisbury to the new Principal Probate Registry in London. Conditions were far from ideal and in 1874 the wills were moved to Somerset House. Somerset House was not able to cope with the volume of documents it received and after the Second World War, a new county record office opened in Wiltshire and this was a sensible alternative place of deposit for the wills. In the 1950s the office was approved as an authorised place of deposit for probate records and the Salisbury Diocesan wills were transferred to the Record Office at Trowbridge. With the closure of the old Record Office in 2007 the wills were moved with the rest of the archive to our current purpose-built facility in Chippenham.
After receiving substantial Heritage Lottery (and other) funding, the Wiltshire Wills Project was inaugurated in 1999, to re-index and digitise the records. They have all been catalogued onto a computer database, flattened, re-packaged and (where necessary) repaired. This has ensured that they will be cared for better than ever in the future–particularly since digitisation means that the originals will not normally be handled anymore. Digitisation, which proved a lengthy process, was carried out by ourselves until last year when the company Ancestry took over. The whole collection will be available online (hopefully from mid November 2017) through the Ancestry website.
A will or testament is the documentary instrument by which you regulate the rights of others to your property and your family after your death.
A person's formal declaration (usually in writing) of his intention as to the disposal of his property or other matters to be performed after his death. Oxford English Dictionary, 1933
Originally a will dealt with real estate – land and buildings - and a testament with personal property - for example, clothing, furniture, stock, money, books - but they have been combined into one document since the 1500.
The preamble to an Act of Parliament of 1529 (21 Hen. VIII, c.4) detailed the purpose of will-making, explaining that testators should pay their debts, provide for their wives, arrange for the care of their children and make charitable bequests for the good of their souls.
In the sixteenth and seventeenth centuries, wills were increasingly used to provide for each member of the family left behind. George Beverstock senior of Bradford on Avon demonstrated that principle in his will of 1689, leaving two looms to his son-in-law thereby giving him a livelihood, and distributing his cows amongst his sons and daughters.
Writing a will was thought of as a spiritual duty as well as a worldly one; from 1552 clergy were required when visiting the sick to remind the dying of their duty to make a will.
To encourage will-making, the church made no direct charge for proving the wills of the very poor. There was just a cost of 6d for making a copy of the will and a further 6d if an administration bond was required.
There were rules on what constituted a valid will. Technically the following elements were required: • the date • the testator's mark or signature - duly witnessed • the nomination of an executor.
They also may include some or all of the following: • the testator’s name, residence and occupation • a statement of health and mental capacity • the “religious preamble”, a statement of faith • a preferred parish of burial • details of bequests/legacies • provision for the widow • provision for the children • special funeral instructions • appointment of overseers to supervise executor • codicil
Having said that, not all the wills in the collection follow these rules, for if no formal written will existed or it could not be found, other evidence could be used. Holograph wills (in the testator’s own handwriting) were generally accepted so long as they were agreed to be genuine. Henry White’s will is a lovely example of an informal hand-written will, found on the reverse of an old letter:
This is a sad blog to be writing, as I’m writing this the day before I leave the History Centre for pastures new. I thought it would be a good way of rounding up what I’ve done over the last four years.
I started at the Wiltshire and Swindon History Centre as a timid (?) newly qualified archivist, fresh from a course at University College London and all prepared to work a full time job and write my dissertation for my Masters in Archives and Records Management. I had got a job as the project archivist for the high-profile HLF funded project Lacock Unlocked, and started my project in June 2013 working with up to 25 volunteers and the Lacock community to catalogue, make accessible and promote the Lacock archives.
I was certainly thrown in at the deep end with the project – I remember having a very serious meeting with the Devizes U3A group, who knew the archive very well and had listed much of it prior to my arrival, and training volunteers on how to use the database and how to read old handwriting. I wouldn’t have had it any other way, however. I learnt a lot very quickly: I learnt how to manage volunteers, and also how to tackle a large and important archive. I had to do talks to the public, both at the History Centre and externally, about the Lacock archive.
Towards the end of the project I was luckily enough given the opportunity to stay on in a permanent role, joining the rest of the archives team in searchroom duty, accessioning, cataloguing, general talks and so on. It was wonderful to be part of this team, join the rota and have a variety of tasks which have taught me more about the local area. It also enabled me to keep working on the Lacock project, retaining many of the volunteers who even now are still coming in weekly to do work for the History Centre.
I have never made any secret of the fact that I am passionate about the archives of private schools. I wrote my Masters dissertation on the use of school archives and have volunteered in a range of them. So it was a wonderful surprise to be told by Claire Skinner that there was an uncatalogued school collection which I could work on if I wanted to. I grabbed the opportunity eagerly, and immersed myself for the next few months in the archives and history of the Godolphin School in Salisbury, whose archives had been deposited with us and needed cataloguing. I was able to visit the school to put the records in context, which was a great day out. I loved starting working on a collection from scratch, combining two separate deposits of material into one, and finding out so much about the school and its history at the same time. The Godolphin School collection is a wonderful one, combining business records of the school, staffing records, beautiful old photographs of staff and students, and headmistress’ diaries which are extremely interesting – like school log books. These are currently being indexed by a volunteer and will be a great resource for anyone whose family member studied or worked at the school.
Following Godolphin, I then started working on a collection within a collection. Steve Hobbs has been cataloguing the extensive Merriman collection (a solicitors’ firm based in Marlborough) for some time and thought it might be nice for me to work on part of it – a succinct series of material relating to the Popham family of Littlecote. This was an estate collection like Lacock, although a lot smaller, but was another great chance for me to get my teeth into something new and uncatalogued, and find out some really interesting things about local families and local areas. I was able to use my experience from Godolphin to catalogue the Popham archive in the most effective way possible (hopefully), not helped of course by the occasional addition tossed to me by Steve as he was perusing other boxes of Merriman material (I was able to toss some to him too, luckily). I had volunteers who had been working on Lacock material working through estate letters which helped me to allocated letters to the various different estates: the Popham family owned Littlecote as well as properties in Churchdown in Gloucestershire, Hunstrete in Somerset and Puckaster on the Isle of Wight, among others.
My next mini project was to work on the collection of the Moulton family of Bradford on Avon, and I have just completed this. It’s been a fascinating collection because as well as lots of deeds of Bradford and other places in Wiltshire, information on the business started by Stephen Moulton in the mid 19th century in Bradford and family papers, there are also many papers relating to other families, particularly the Greene family of Stratford-on-Avon whose daughter Beryl married John Coney Moulton in 1914. Her brother Downes Greene spent many years in Sarawak and we have lots of letters from him to his parents about his life there, which give a wonderful indication of life abroad in the early 20th century. There are also letters from World War One soldier Charles Eric Moulton, who was killed in 1915.
Other projects I have been involved in are: being the acquisitioning archivist for the Creative Wiltshire project, which has allowed me to advise on and catalogue archives of creative people in Wiltshire: namely Roger Leigh, Ken White, Penelope Ellis and the Pelham Puppets business based in Marlborough. The most extensive collection from this was that of Roger Leigh, whose many photographs of his sculptures make up an interesting archive alongside his early diaries, condolence letters and cards to his widow after his death in 1997, and a dream diary that he kept as a young boy which is just a wonderful example of the extent and detail of somebody’s imagination. Becoming involved in Creative Wiltshire also gave me the opportunity to speak at the Creative Histories conference in July this year, in Bristol, about how the project has helped access to archive and museum collections. It has been wonderful to see first-hand how many more archive collections and objects by creative people have been made available for the public as a result of the project.
Away from the practical archives work, I have also been getting involved in writing articles for Local History News, involved with the South West Region of the Archives and Records Association and attending the Fundraising for Archives course run by the National Archives, which has given me lots of ideas on how to raise money for archive services. I have attended lots of courses and conferences, spoken at some and organised others, and I can really safely say that I wouldn’t have done any of this were it not for the encouragement given me by the managers and staff at the History Centre who have given me opportunities to develop my own career, improve the service here, and benefit the development of archives in general.
I was interested to read a recent news story which described scientific work to extract DNA from parchment using a non-destructive technique, giving us remarkable and unexpected source of information about the animal the page was created from. It has also proved possible to extract DNA of people who have touched or kissed the manuscripts over the years (devotional prayer books for example).
Thinking about the physical fabric of the archives led me to consider our more common archive material; paper. We see paper as a prosaic item nowadays and take it for granted, but it used to be much more valuable and remained expensive until the advent of the steam-driven paper mill.
There is limited documented evidence about paper making before the 18th century and the knowledge and skills would primarily have been shared directly between family members and master and apprentice. We have records of apprenticeships in our parish collections including Edward Hayword from Bradford-on-Avon who was apprenticed to a Gabriel Sweet, Weston, Somerset in July 1745 and a Thomas Whale from Chippenham, apprenticed to a Charles Ward, papermaker at Doncombe, North Wraxall in November 1804.
The process of making paper was a complex one involving many stages and can be read about in more detail in various publications including The British Paper Industry 1495-1860 by D.C Coleman available in our local studies library (shelfmark 338.476). The cellulose fibres in plant tissues were macerated and mixed with water until the fibres separated and were lifted from the water using a sieve-like screen, leaving a sheet of matted fibres on the screen’s surface. This then required pressing, drying, sizing, and finishing before it could be used as paper.
We have several wills in our collection left by papermakers. These can give some indication of the kind of wealth and social standing of the profession.
In the 1792 will of John Lewis, paper maker of Yatton Keynell he bequeathed all his household goods and furniture to his wife, Mary Lewis. He also left an annuity of £8 to be paid to his sister, Elizabeth Parker, to be paid in equal quarterly instalments every year until her death. John Lewis makes it explicit that this money ‘is not liable to the debts or engagements of my said sisters husband or any other husband he may hereafter have and that her receipt alone…’ He also bequeathed to Thomas Vincent, a grocer of Calne (named as executor alongside his wife), all his real estate at Longdean and Yatton Keynell. It is pleasing given his profession that he sees fit to mention the paper that the will is written on:
“… to this my last will and testament contained in two sheets of paper set my hand and seal as follows (that is to say) my hand to the first sheet thereof and my hand and seal to the last sheet and my seal at the top where both sheets join”.
Another will belonging to Thomas Bacon, papermaker of Downton, dating to 1679 includes an inventory of his goods. These include materials and goods from the mill house including scales and weights, paper moulds and their respective values.