History is fun, but it’s even more fun with archives which provide us with that tangible connection to fascinating stories of amazing people and places who have shaped our history.
And this year we have so many reasons, if reasons were needed, to go searching through the Wiltshire & Swindon Archive to see just how connected the county is to some of the major national commemorations that are taking place in 2020.
Already garnering national attention are the 800th birthday celebrations for Salisbury cathedral and the city of Salisbury. And Salisbury can also lay claim to ties with another 800th anniversary – that of the unveiling of the shrine to St Thomas Becket at Canterbury cathedral. This year is also the 850th anniversary of Becket’s murder.
In a busy year Wiltshire will also be marking the bicentenary of Florence Nightingale’s birth. Most people will know of her as ‘the lady with the lamp’ – a phrase and image made famous in her lifetime following her pioneering work during the Crimean War – but how many know of her connections to Wilton House and the Pembroke family?
Florence was born in Florence, Italy, on 12th May 1820 and named after the city of her birth. (Her older sister Frances Parthenope was named after her birthplace of Parthenope in Naples.) The family moved back to England in 1821 and Florence grew up at Embley Park in Hampshire, just 15 miles from Salisbury. She wanted to be a nurse from an early age and had hoped to take up the career at Salisbury Infirmary – then in Fisherton Street – but her family opposed the idea, believing nursing to be an inappropriate activity for a young woman of her social standing.
She spent much of her twenties travelling and it was in Rome, in November 1847, that she met Sidney Herbert, the younger son of the Earl of Pembroke, and so began a lifelong friendship that was to prove so important to her work.
In 1853 Florence began her nursing career as the superintendent of a women’s hospital in London but it was the outbreak of war in the Crimea in 1854, and reports of horrendous conditions endured by sick and injured soldiers, that propelled Florence into spotlight.
With the support of Sidney Herbert, the minister for war, Florence Nightingale led a group of nurses to the Crimea and so began her campaign to improve conditions at Scutari hospital. Her work, alongside the work of a government Sanitary Commission, transformed the survival rates for the soldiers treated at Scutari.
Accounts of her work in her own words and the words of others are held here at the Wiltshire & Swindon History Centre and form part of the Pembroke archive (WSA 2057). There are two series of correspondence and documents – 2057/F4 and 2057/F8 – which include letters sent by Florence to Sidney Herbert and others.
In a letter written from Scutari in January 1856 (WSA 2057/F4/64), Florence attempts to explain to “dear Mr Bracebridge” how she will use the money given to the newly established Nightingale Fund. “The people of England say to me by their subscriptions ‘We trust you, we wish you to do us a service’. No love or confidence can be shown to a human being greater than this – and as such I accept it gratefully…” She goes on to say: “And if I have a plan in me, which is not battered out by the constant ‘wear and tear’ of mind and body I am now undergoing, it would be simply this – to take the poorest and least organised hospital & putting myself in there, see what I could do…”. She concludes that she is “overwhelmed at present not with plans but work.” And adds that she wishes she could say “how much I feel the love & confidence of the people of England, in whose service I have lived, so I shall die.”
Florence’s work, and that of her nurses, had made headline news in Britain and the public began giving money for a gift honouring her efforts, but so much money was given that the Nightingale Fund was created, with her friend and support Sidney Herbert its honorary secretary.
Florence’s uncertainty about the details of what to do with the fund did not last long and in July 1860 the first school of nursing was opened at St Thomas’s Hospital in London. As well as transforming and professionalising the training of nurses, Florence also influenced the design of new hospitals, introducing the eponymous Nightingale Wards.
Following on from her work during the Crimean war, Florence campaigned for improved sanitary conditions at home and went on to work on improving conditions for the British army in India. Florence was an effective social reformer and campaigner, making the most of her friendship with Sidney Herbert and not afraid to use the media of the day. But she was also careful to support her work with evidence, especially statistics, and became the first woman elected to the Royal Statistical Society.
The Florence Nightingale letters in the Pembroke archive, and letters written by others about Florence’s work, are a fascinating insight into one of Britain’s most iconic Victorian figures and it is fitting that we mark the bicentenary of her birth on 12th May this year.
Stratford Tony is a small village 4 ½ miles from Salisbury. The river Ebble flows through it, and the line of the ancient Roman road known as ‘Icknield Street’ passes close on the west side of the village. The most notable occupant of Stratford Tony was the impressionist painter Wilfrid de Glehn, who lived at the Manor House from 1942 until his death in 1951. The population now only amounts to around 50 people.
Last year Wiltshire Buildings Record was asked to investigate the old rectory, now a private house. The house presented a decorous early Georgian front with views across the lawns to the river below. As ever, we looked beyond the polite elevation to the hidden corners and roof spaces to reveal a very different story. Remains of a c1500 timber-frame were found embedded in replacement stone walls and in the roof which suggested that this was a much more humble farmhouse. Grabbed by the intrigue glands, our researcher Louise did what she does best, which is to squirrel out those hidden facts embedded in layers of old parchment. It turns out that it was quite possibly a grange farm for the Abbey of Lyra in Normandy (nothing to do with His Dark Materials or the constellation of stars!) and then the Priory of Sheen in Richmond, London.
Its transformation to posh rectory happened in the later 16th century when Lawrence Hyde acquired the advowson (the right to recommend a clergyman to a ‘living’ in the parish) from the Crown in 1560. Lawrence Hyde was part of the influential Hyde family of Wiltshire, he had benefitted greatly from the acquisition of land and property following the Dissolution of the Monasteries. He held a lease from William Earl of Pembroke, of Wardour Castle and Park around the time he was granted the advowson at Stratford Tony. Members of the Hyde family held it for over 126 years up to 1686, when it then transferred to Edward Fawconer of Sarum.
By 1671 the glebe terrier noted a substantial rectory house comprising …A mansion house, a brew house, a wood house, a barn, a stable, a fodder house besides some skillings (cowsheds), an orchard, 2 gardens…. Lawrence and his son Robert Hyde installed three members of their own family as clerks at Stratford Tony. It is very likely, the patronage of the Hyde family resulted in substantial investment in the parsonage house, including the addition of a smart Georgian wing. This was extended further in 1791 by Reverend Stockwell, the rector at that time, who commemorated it with a datestone.
I’ve just finished reading the fascinating book ‘My Own Life’ by Ruth Scurr about the life of the 17th century Wiltshire antiquarian John Aubrey. It has left me with such a great impression of both his life and the times he lived in, that I thought I’d share them with you.
Aubrey was born on St. Gregory’s Day, 12th March 1626, the eldest son of Richard, a gentleman, and Deborah. His cousin and patron was Sir John Aubrey, 2nd Baronet, who had homes in Buckinghamshire and the Vale of Glamorgan.
His love of Wiltshire was derived from growing up at Broad Chalke and Easton Piercy, and through his years spent at school at Leigh Delamare, but also from association with some of the county’s major landowners such as the Pembrokes of Wilton House, spending time at their estates. His father’s death caused financial difficulties. Over time Aubrey had to sell off his property, spending the majority of his time moving between friends, patrons and lodging houses.
Aubrey had many, many friends, some of whom appear to have taken advantage of his good nature and his genuine wish to help further their work. Aubrey loved science and learning, becoming a Fellow of the Royal Society in 1662, only two years after it had been founded, but he also loved nature and the world around him, especially the Wiltshire landscape, and folklore. He had a belief and interest in astrology, and had correspondence with Edmund Halley.
John was particularly interested in springs, and noted many in Wiltshire, testing their composition and presenting them to the Royal Society. He also had a surprising ability for the age; the ability to talk to anyone and show interest in their views, from Kings to lowly peasants.
Aubrey lived in turbulent times and worried about the lack of care given to historic material, seeing stonework looted, ruins uncared for, old manuscripts used in kitchens and to cover school books. His sense of caring for the past for the future was evident in his relationships with men such as Mr Ashmole who was instrumental in the founding of the Ashmolean Museum in Oxford. He also paid for the etching of the Osney Abbey ruins by Hollar; concerned to document them before they were lost forever.
This year we are celebrating 400 years since the death of William Shakespeare, that bane of school children everywhere or one of the world’s greatest poets and playwrights, depending on your viewpoint! As an English graduate who greatly enjoyed studying King Lear, Hamlet and Macbeth I am firmly in the latter camp, but as a mother of a teenager forced to wrestle with Romeo and Juliet, (a situation wittily portrayed by Ben Elton in his new BBC sitcom ‘Upstart Crow’ last week) I can certainly also understand the former.
Shakespeare is one of those creative geniuses about whom we know very little outside of their work. What we do know of his life, as is common for most individuals from the Tudor era, comes from archives – the written evidence of our ancestors’ lives. One example is the parish register recording his baptism at Stratford upon Avon on 26th April 1564; another his notorious will, proved at the Prerogative Court of Canterbury in April 1616, leaving his ‘second-best bed’ to his widow, Anne Hathaway, and most of his estate to his daughter. Shakespeare is, of course, most closely associated with Stratford upon Avon in Warwickshire and with London, the capital where he and his company of players performed so much of his work.
So how is Shakespeare associated with Wiltshire?
The main connection comes through Wilton in the south-east of our county. William Herbert, 3rd Earl of Pembroke, of Wilton House, is famously cited as the ‘Mr W.H.’ to whom Shakespeare dedicated many of his sonnets. The first folio of his works published posthumously in 1623 is dedicated to both William and his brother, Philip, the fourth Earl. Patronage of the arts was important to both Herbert and his wife, Mary Herbert, Countess of Pembroke, the sister of Sir Philip Sidney (himself a famous poet who wrote ‘Arcadia’ while staying at Wilton in 1580.) In the first folio the 3rd Earl is thanked for his ‘many favours’ to Shakespeare and his company; in other words, considerable financial support.
Dr Siobhan Keenan of De Montfort University states that one of Shakespeare’s plays was performed at Wilton House on 2 December 1603, when the plague shut down theatres in London, and caused Shakespeare’s company of players, the King’s Men, to go on tour. It is not known for certain which play was performed, but historians have long suggested As You Like It. The play was performed in front of the newly crowned King James I, as well as the 3rd Earl, and it is believed the play’s ‘juxtaposition of bawdy wit and more serious reflections on what makes for a good ruler’ might have appealed to the King. It is also very likely that Shakespeare himself performed as one of the actors that night, which is an exciting thought. If only one had a time machine to be able to see that performance!
Some of the most popular talks I give are those dealing with the meaning of inn and pub names. Currently we don’t have a great variety of pub names in Wiltshire but we do still have some interesting ones. The Green Dragon at Alderbury was used by Charles Dickens in Martin Chuzzlewitt, as he was staying nearby while writing this novel. Dickens used many hostelries in his books and in this case he renamed it the Blue Dragon; perhaps the sign was somewhat faded to a pale blue and he misinterpreted it as it would have been unlikely that the name was on the building.
The green dragon came from the earls of Pembroke and many of the early names used the badges of great families. The red lion of John of Gaunt, the black bear of the earls of Warwick and the white hart of Richard II are still common today. From the 18th century the full coat of arms was often used so that in Fovant we have the Pembroke Arms. The association with the badge or coat of arms often indicated that the family owned the property or were the chief landowners in the area.
I thought it may be of interest to take a look on your behalf at the kinds of original documents visitors order out when they visit our search rooms, to give you an idea of the wide range of requests we receive for documents each day. I chose Tuesday 22nd October at random, and got peeking!
Many visitors pre-order material so that it is waiting for them when they arrive (a good idea if you have a lot to look through).
One such researcher was looking at some Great Western Railway plans for the stables next to Paddington Station.
They included a tenancy agreement for stalling dated 1905 (Ref: 2515/210 Box 128) and the elevation to London Street by the Engineers Works office in 1912 (2515/403/375).
Ordered out on the day was material from the Earl of Pembroke collection (Ref: 2057) including the account of H.M. Holdsworth with the Right Honorable George Robert Charles Earl of Pembroke for the estate of Wilts for one year as to rents to Michelmas 1880 (Ref: 2057/A1/99). Estate surveys (Ref: 2057/563) and a wages book (Ref: 2057/A5/32) were also of interest, and wages books may also give the name of an ancestor who worked on the estate.