Creative Wiltshire Exhibition at Salisbury Museum

on Monday, 01 April 2019. Posted in Art, Events, Museums, Wiltshire People

Museum and archive collections are, in their very nature, eclectic. They often have roots in one person’s fascination with the past and they develop and grow much like a tree putting out roots. They are often dependent on donations, and collecting policies within museums are developed to provide some structure to this form of collecting, making sure that very valuable storage space is used to advantage and the best are represented. It is not that often that choices can be made by museum and archive staff about what to purchase, what gaps to fill and who to represent.

The Heritage Lottery Funded Creative Wiltshire project has aimed to facilitate just that. With a carefully prepared bid back in 2014 we were successful in achieving funding to add to some of our Wiltshire collections and with careful consideration we have purchased items that aim to fill gaps, often representing a new creator with a strong Wiltshire connection. We are now reaching the end of this project and our final exhibition at Salisbury Museum will show off some of our recent purchases.

This project is not just about the purchases, it is also about offering training and development to volunteers and staff associated with museums within the county, as well as education workshops, a tool kit for teachers and other events in the wider community. The exhibition at Salisbury Museum has provided a perfect opportunity to put an ‘Exhibitions Assistant Trainee’ in place, to plan, oversee and install the final exhibition with the support of the Salisbury Museum Director, Adrian Green and his team. Thank you to Emily Smith, our successful applicant, who has been able to gain great ‘hands on’ experience of all aspects of exhibition work within a museum context. We gave her a tough brief; expecting planning, curation, exhibition design, mounting of work, co-ordinating staff, borrowing and transferring of objects required from around the county and she has had a busy four months putting this in place. We thank you for your enthusiasm and we are thrilled with the results. The exhibition at Salisbury Museum has now been extended to 29th September 2019; why not pop in and see what you think? You will find work by Rex and Laurence Whistler, Howard Phipps, Nancy Nicholson, Nick Andrew, Jonathan Wylder and Wilfred Gabriel de Glehn, amongst others.

Emily Smith - Exhibitions Assistant Trainee celebrating her work

During the course of the project other exhibitions have been held at Swindon Museum and Art Gallery and Chippenham Museum and both have focused on recent acquisitions to their collections. Sophie Cummings of Swindon Museum and Art Gallery says the project has exceeded her expectations and allowed them to purchase pieces by Ken White, previously un-represented in their collection, as well as fine art by Joe Tilson, Harold Dearden, David Bent and Janet Boulton and ceramics by Katherine Pleydell-Bouverie, Patricia Volk and Sasha Wardell.

The current exhibitions at Swindon Museum and Art Gallery are well worth a visit.

An Art of the People – Ramsbury & Cricklade Potteries features work by Ivan and Kay Martin of Cricklade, and Peter Holdsworth of Ramsbury.

An Art of the People – Ramsbury & Cricklade Potteries

Out of the Box: An exhibition of paintings by David Bent

An exhibition of work by David Bent which includes geometric landscapes, intricate photographic collages and paintings as well as his aviation art and “Movement 2000” series. Stunning and inspiring work by this Swindon based artist.

A New Website for Archaeology

on Monday, 18 March 2019. Posted in Archaeology, History Centre

Do you have an interest in archaeology? Would you like to know what has been found in your local area, or want to know more about how people lived in Wiltshire in the past? If so, then you might be interested to access our new website that allows you to research the finds, buildings, sites and monuments that exist on the county Historic Environment Record (HER).

Remains of Clarendon Palace – A Medieval Royal Site

The Historic Environment Record (HER) is a fantastic resource that holds information on all the currently known archaeology for Wiltshire and Swindon. This includes everything from Palaeolithic flint tools that are half a million years old to World War I practice trenches created only a hundred years ago – as well as everything in between! Using the HER can be fun and helps to guide your research, as it can tell you about the character and date of archaeological sites/finds as well as how they have been investigated and where you can find more (such as in journals, books and reports).

The new website allows people to easily search the archaeology of Wiltshire and presents data on both a map and dynamic database. To have a go, click to visit the HER homepage

Online HER homepage

The new website is easier to use than our previous one and allows you to search by the following themes:
• Unique identifier number – so you can find records you’ve accessed before…
• Keyword – to find particular find/site types – such as castles or axeheads!
• Site name – for place names you know like your parish church or famous sites like Stonehenge!
• Period – so you can see all Roman artefacts or all prehistoric archaeology we know about…
• Grid reference – if you know exactly where you want to research - whether rural or urban!

Online HER search bar

You can also browse by navigating the interactive map – which can show both Ordnance Survey mapping or aerial photography. You can pan and zoom using the tools and the grid reference of your location handily shows at the top in case you need it!

Behind the scenes at Chippenham Museum: Reconstructing Roman Ceramics

on Wednesday, 06 March 2019. Posted in Archaeology, Conservation

A number of Roman finds were recently uncovered in the back garden of Marc Allum, a specialist on the Antiques Roadshow, during excavations organised by Chippenham Museum volunteers Clive Green and Mike Stone.

Mr Allum kindly donated the finds to Chippenham Museum. The Friends of Chippenham Museum worked hard to raise funds for the conservation of one of the finds - a fine Samian ware bowl - and conservators at CMAS were privileged to undertake the reconstruction of this beautiful piece.

The Samian ware is an example of a Dragendorff type 37 bowl, suggesting it is Gaulish dating from c. AD 70-130. The bowl has intricate decorative panels with repeating motifs of Gladiators battling wild cats and a more risqué scene thought to depict the deity Bacchus.

The Samian ware was found in 51 fragments forming almost half the bowl. Due to the fine nature of the form and decoration it was decided to fully reconstruct the piece, replacing lost areas to give more complete impression of its original form.

The conservator worked hard to piece together all the fragments. Interestingly the way the ceramic had broken into layers reveals its method of construction. Samian ware with such detailed patterns was formed by pressing clay into preformed moulds. The ceramic has split along the lines of the layers that were built up.

Graham Taylor of Potted History (@Pottedhistory) has created replica moulds for the vessel and its decorative features in order to produce a facsimile using the same techniques.

Once the form of the original ceramic was determined it was possible to create an accurate profile from base to rim using measurements of the thickness of the ceramic fragments and the diameter of the base and rim, comparing these with known examples.

The profile was used to form an accurate core in clay to which the original ceramic could be secured. Plaster replacement fills were then ‘spun’ using the profile as a guide. It was decided to only replace larger areas and those smaller areas required for strength.

A Most Indebted Clergyman

on Monday, 18 February 2019. Posted in Archives, Wiltshire People

Henry Goddard, a pluralist clergyman, was imprisoned in the debtors’ prison of King’s Bench in 1817 (he was admitted 7 March).

At the time he was rector of Castle Eaton (from 1797), vicar of Longbridge Deverill with Monkton Deverill (from 1805) and curate of Maiden Bradley (from 1797), livings which he held until his death in 1829. His petition to the Court for the Relief of Insolvent Debtors is filed in the diocesan archives together with the various sequestration bonds and writs, which allowed for the income of the benefices to be diverted in for the benefit of the creditors of the incumbent.

WSA D1/46/2/3

The document provides a detailed record of his parlous financial position. The schedule of debts, amounted to almost £8000 (including £4000 due to rev Christopher Rigby Collins, Salisbury, for an annuity granted in 1811 who had sequestered Goddard’s livings in 1816 for arrears). In the list of 79 creditors are members of the local gentry, as well as Collins, who had loaned him money. These included JD Ashley (recte Astley) of Bury cottage, Warminster (£150), the executrix of William Hinton of Bishopstrow (£230), and Richard Long MP, Rood Ashton (£20). The vast majority of creditors were tradesmen for goods and services supplied. The latter are mainly from Warminster and its vicinity and illustrate the range of trades in this town (William King coach maker, William Cox cabinet maker, William Manley perfumer and toyman (seller of toys, fancy goods), Sampson Payne Glassman, a fruiterer, pastry cook, druggist, surgeon, hairdresser, tailor, pork dealer, milliner, seedsman, wine merchant and stationer). Several of these appear in the 1830 trade Directory of the town which gives addresses. Beyond the town the trail of debt reached millers, maltsters and innkeepers, as well as John Dwall (Doel), Horningsham, butcher, and Thomas Morsfield, Longbridge D, blacksmith, John Tucker Brixton Deverill, carpenter and John Heall, Hill Deverill, miler. It also reached to Bath and London and even touched Mr Sims, landlord of The Old Down Inn, outside Wells in Somerset. A former servant also appears: Ann Churchill, now at Capt Jennings at Chitterne, owed £10 for wages to 1816.

 

Evidence of his son’s education can also be gleaned through debts to: rev Rowlandson, Warminster in 1815 (£30 owed); rev John Cutler, Free Grammar SEast Woodhaychool Sherborne to Midsummer 1817 (£25), and then to Winchester College in 1817 (£6.18s).  Tragically the boy, Henry William, whose was baptised in 1807, died, aged 13, and was buried at Winchester college in 1818 (both events recorded in the Longbridge Deverill parish registers).

Loans of money dated as far back as 1802; goods and services as back as far as 1812, which indicate the potential difficulties of cash flow that small independent traders faced.

Season on Seasons

on Tuesday, 12 February 2019. Posted in Seasons, Wiltshire People

Spring is in the air in February according to ‘Season on Seasons’…

This is the 1750 edition of the Speculum Anni, Almanack by Henry Season, physician and astronomer, of Bromham in the collection of the Gleed family of Ashton Keynes

Henry Season was baptised on January 23rd 1692/3 son of Henry Season and Sarah (previously Lad) who married on 29 March 1692.

His baptism is a nice example of the confusion that can arise where a baptism appears to have taken place before the marriage of the parents. No illicit behaviour took place however! Before the calendar change of 1752 the year officially began on Lady Day (March 25th) and so we record the dates of years previous to this as January 23 1692/3 (i.e. 1692 in the old style dating and what we could class as 1693).

He was buried on November 13th in 1775 recorded as Henry Season MD.

A monument to him in St Nicholas Church written by the Rev John Rolte reads:

Henry Season, M.D.
Who Dyed Nov. the 10th 1775
Aged 82 years.
Tis not the Timb, in Marble polished high,
The scuptur’d Urn, or glittering Trophies nigh,
The Classic Learning tells what English blush’d to own,
Can shroud the guilty from the Eye of God,
Incline his Balance, or avert his Rod;
That hand can raise the Cripple and the Poor
Spread on the Way, or gathered at the Door,
And blast the Villain, though to altars fled,
Who robs us living, and insults us dead.

Incidentally the west window is another memorial of note to the poet Thomas Moore (died 1852) who lies buried in the churchyard, commemorated by a Celtic cross.

Westbury Leigh Baptist Chapel

on Wednesday, 06 February 2019. Posted in Architecture, Wiltshire People, Wiltshire Places

Late last year Wiltshire Buildings Record was asked to look at Westbury Leigh Baptist Chapel. Now lying empty, this was the first of two Baptist chapels to be established in Westbury Leigh, an ancient village now within the town boundaries of Westbury. As there was no Anglican church until 1880, the Baptist church was the established church in the village, having a strong nonconformist tradition encouraged by the Baptist stronghold in Southwick.

Stephen Self, a clothier, allowed the use of a barn, called ‘Self’s Barn’ near his dwelling house in Leigh as a meeting place for Baptists after 1693. According to William Doel in his book, ‘Twenty Golden Candlesticks!' they continued to worship until 1714, when Mr Self converted the barn into a chapel, fitting it up with seats, galleries & c. This barn stood on part of the site of the present chapel, the freehold of which belonged to Granville Wheeler Esq.

By 1796 the congregation had so increased as to make it necessary to build a new Chapel. A meeting was held and a resolution passed to undertake the work, which was carried out at a total cost of £1,361. The new chapel was able to accommodate five hundred people, which gives an idea of the many devout souls in Westbury Leigh alone, not counting those in the main town of Westbury!

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