Behind the scenes at Chippenham Museum: Reconstructing Roman Ceramics

on Wednesday, 06 March 2019. Posted in Archaeology, Conservation

A number of Roman finds were recently uncovered in the back garden of Marc Allum, a specialist on the Antiques Roadshow, during excavations organised by Chippenham Museum volunteers Clive Green and Mike Stone.

Mr Allum kindly donated the finds to Chippenham Museum. The Friends of Chippenham Museum worked hard to raise funds for the conservation of one of the finds - a fine Samian ware bowl - and conservators at CMAS were privileged to undertake the reconstruction of this beautiful piece.

The Samian ware is an example of a Dragendorff type 37 bowl, suggesting it is Gaulish dating from c. AD 70-130. The bowl has intricate decorative panels with repeating motifs of Gladiators battling wild cats and a more risqué scene thought to depict the deity Bacchus.

The Samian ware was found in 51 fragments forming almost half the bowl. Due to the fine nature of the form and decoration it was decided to fully reconstruct the piece, replacing lost areas to give more complete impression of its original form.

The conservator worked hard to piece together all the fragments. Interestingly the way the ceramic had broken into layers reveals its method of construction. Samian ware with such detailed patterns was formed by pressing clay into preformed moulds. The ceramic has split along the lines of the layers that were built up.

Graham Taylor of Potted History (@Pottedhistory) has created replica moulds for the vessel and its decorative features in order to produce a facsimile using the same techniques.

Once the form of the original ceramic was determined it was possible to create an accurate profile from base to rim using measurements of the thickness of the ceramic fragments and the diameter of the base and rim, comparing these with known examples.

The profile was used to form an accurate core in clay to which the original ceramic could be secured. Plaster replacement fills were then ‘spun’ using the profile as a guide. It was decided to only replace larger areas and those smaller areas required for strength.

A Most Indebted Clergyman

on Monday, 18 February 2019. Posted in Archives, Wiltshire People

Henry Goddard, a pluralist clergyman, was imprisoned in the debtors’ prison of King’s Bench in 1817 (he was admitted 7 March).

At the time he was rector of Castle Eaton (from 1797), vicar of Longbridge Deverill with Monkton Deverill (from 1805) and curate of Maiden Bradley (from 1797), livings which he held until his death in 1829. His petition to the Court for the Relief of Insolvent Debtors is filed in the diocesan archives together with the various sequestration bonds and writs, which allowed for the income of the benefices to be diverted in for the benefit of the creditors of the incumbent.

WSA D1/46/2/3

The document provides a detailed record of his parlous financial position. The schedule of debts, amounted to almost £8000 (including £4000 due to rev Christopher Rigby Collins, Salisbury, for an annuity granted in 1811 who had sequestered Goddard’s livings in 1816 for arrears). In the list of 79 creditors are members of the local gentry, as well as Collins, who had loaned him money. These included JD Ashley (recte Astley) of Bury cottage, Warminster (£150), the executrix of William Hinton of Bishopstrow (£230), and Richard Long MP, Rood Ashton (£20). The vast majority of creditors were tradesmen for goods and services supplied. The latter are mainly from Warminster and its vicinity and illustrate the range of trades in this town (William King coach maker, William Cox cabinet maker, William Manley perfumer and toyman (seller of toys, fancy goods), Sampson Payne Glassman, a fruiterer, pastry cook, druggist, surgeon, hairdresser, tailor, pork dealer, milliner, seedsman, wine merchant and stationer). Several of these appear in the 1830 trade Directory of the town which gives addresses. Beyond the town the trail of debt reached millers, maltsters and innkeepers, as well as John Dwall (Doel), Horningsham, butcher, and Thomas Morsfield, Longbridge D, blacksmith, John Tucker Brixton Deverill, carpenter and John Heall, Hill Deverill, miler. It also reached to Bath and London and even touched Mr Sims, landlord of The Old Down Inn, outside Wells in Somerset. A former servant also appears: Ann Churchill, now at Capt Jennings at Chitterne, owed £10 for wages to 1816.

 

Evidence of his son’s education can also be gleaned through debts to: rev Rowlandson, Warminster in 1815 (£30 owed); rev John Cutler, Free Grammar SEast Woodhaychool Sherborne to Midsummer 1817 (£25), and then to Winchester College in 1817 (£6.18s).  Tragically the boy, Henry William, whose was baptised in 1807, died, aged 13, and was buried at Winchester college in 1818 (both events recorded in the Longbridge Deverill parish registers).

Loans of money dated as far back as 1802; goods and services as back as far as 1812, which indicate the potential difficulties of cash flow that small independent traders faced.

Season on Seasons

on Tuesday, 12 February 2019. Posted in Seasons, Wiltshire People

Spring is in the air in February according to ‘Season on Seasons’…

This is the 1750 edition of the Speculum Anni, Almanack by Henry Season, physician and astronomer, of Bromham in the collection of the Gleed family of Ashton Keynes

Henry Season was baptised on January 23rd 1692/3 son of Henry Season and Sarah (previously Lad) who married on 29 March 1692.

His baptism is a nice example of the confusion that can arise where a baptism appears to have taken place before the marriage of the parents. No illicit behaviour took place however! Before the calendar change of 1752 the year officially began on Lady Day (March 25th) and so we record the dates of years previous to this as January 23 1692/3 (i.e. 1692 in the old style dating and what we could class as 1693).

He was buried on November 13th in 1775 recorded as Henry Season MD.

A monument to him in St Nicholas Church written by the Rev John Rolte reads:

Henry Season, M.D.
Who Dyed Nov. the 10th 1775
Aged 82 years.
Tis not the Timb, in Marble polished high,
The scuptur’d Urn, or glittering Trophies nigh,
The Classic Learning tells what English blush’d to own,
Can shroud the guilty from the Eye of God,
Incline his Balance, or avert his Rod;
That hand can raise the Cripple and the Poor
Spread on the Way, or gathered at the Door,
And blast the Villain, though to altars fled,
Who robs us living, and insults us dead.

Incidentally the west window is another memorial of note to the poet Thomas Moore (died 1852) who lies buried in the churchyard, commemorated by a Celtic cross.

Westbury Leigh Baptist Chapel

on Wednesday, 06 February 2019. Posted in Architecture, Wiltshire People, Wiltshire Places

Late last year Wiltshire Buildings Record was asked to look at Westbury Leigh Baptist Chapel. Now lying empty, this was the first of two Baptist chapels to be established in Westbury Leigh, an ancient village now within the town boundaries of Westbury. As there was no Anglican church until 1880, the Baptist church was the established church in the village, having a strong nonconformist tradition encouraged by the Baptist stronghold in Southwick.

Stephen Self, a clothier, allowed the use of a barn, called ‘Self’s Barn’ near his dwelling house in Leigh as a meeting place for Baptists after 1693. According to William Doel in his book, ‘Twenty Golden Candlesticks!' they continued to worship until 1714, when Mr Self converted the barn into a chapel, fitting it up with seats, galleries & c. This barn stood on part of the site of the present chapel, the freehold of which belonged to Granville Wheeler Esq.

By 1796 the congregation had so increased as to make it necessary to build a new Chapel. A meeting was held and a resolution passed to undertake the work, which was carried out at a total cost of £1,361. The new chapel was able to accommodate five hundred people, which gives an idea of the many devout souls in Westbury Leigh alone, not counting those in the main town of Westbury!

The Work of the Wiltshire Coroner 1194 – 1943

on Wednesday, 23 January 2019. Posted in Archives

 

WSA/F25/1/100/5

Richard I was not particularly interested in England, only spending a few months out of his 10 year reign in England, but he was interested in his crusades which needed to be financed. A new way of collecting tax was needed as the current system of “holding the pleas of the crown” in which the King’s itinerant Judges toured the country and held courts in villages to settle disputes and levy fines was inefficient at actually raising revenue for the crown. The problem was it took so long for the Judges to complete their circuit that the sheriffs were able to pocket the fines and not pass them onto the king.

In 1194 new reforms were set up, which included new county officers called the Coroner (or Crowner as they were originally called – Coronam is Latin for crown). They were tasked with “keeping the pleas of the crown” which meant they had to document cases before the justice court rolled into town. Their role was simple, to generate as much income for the King as possible. Sudden deaths were of particular interest to the new Coroner, because if the death was proved to be suicide (“self murder”) then the goods of the deceased would be forfeited to the crown. Buried treasure (treasure trove), goods washed up on shore and shipwrecks all belonged to the king. It was now the job of the Coroner to record these events and to make sure that any revenue due to the King went in to the royal coffers.

By 1194 the Saxons were still in a habit of killing Normans, if a dead person was found, the village in which it was found would be heavily fined, as it was presumed to be Norman unless it could be proved otherwise by a plea of Englishry. The fine was known as “Murdrum”, from which the word murder derives. Coroner’s inquests dealt with these cases and the revenue from the fines imposed went to the King.

Every County elected three Coroners with many boroughs having their own coroner. A clerk was employed to carry the pen, ink and “Coroner’s Rolls” and would have walked behind the horses. The clerk was later dropped in favour of a fourth Coroner. As “Keeper of the Crown Pleas” it was the Coroners job to record the pleas on parchment called the “Coroner’s Rolls” and present to the King’s judges when they rolled into town. These rolls mostly survive and are held at The National Archives. They record, amongst other things, details of sudden and unnatural deaths, giving information surrounding the circumstances of deaths. 

A pre Norman practice that appears in the Coroner’s Rolls was the fine of a deodand, “Deo dandum” or “given to God”. The idea was that the object which caused the death of sinful and had to be given to the church to be expurgated. The Normans saw this as a nice little earner for the crown, as the Coroner would value the object and the crown plea judges would decide if the deodand was to be forfeited to the crown or given to the victim’s family as compensation for their loss. 

All sudden deaths were investigated by the coroner, whether murder, manslaughter, accidental, natural or suicide. It was the coroner’s job to record as much information about the death as possible, witnesses, time, date, where and of course the primary interest was property and chattels were written down ready for the Justices court. There were strict rules for when a body was discovered and heavy fines imposed if they were not followed. The finder of a body had to raise the alarm and was liable to be fined for inaction. Many bodies might be ignored or hidden, or even moved to another village or tithing in an attempt to avoid responsibility.

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On reflection… the legacy of First World War commemorations in Wiltshire

on Wednesday, 09 January 2019. Posted in Events, History Centre, Military

One hundred years ago people and politicians around the globe were contemplating a new world order following more than four years of war. In Britain, January 1919 and the following months were marked by strikes, civil unrest and military mutinies. The flu pandemic continued its deathly march. The month also saw the beginning of the Paris Peace Conference which lasted into the summer concluding with five treaties formally ending the war – including the Versailles Treaty signed 28 June – and the formation of the League of Nations.

As a nation we have spent the last four years commemorating the centenary of the First World War (FWW). A hundred years on from this cataclysmic event and we are living with its legacy – with regional conflicts that have their origins in the war; with advances in medicine (reconstructive surgery, improved anaesthesia); with the music, art, literature and poetry produced during and after the war; with universal suffrage; and with a landscape shaped by war.

But what of the legacy of these commemorations? What will future generations find when they delve into early 21st century archives and history books, looking for evidence of how we remembered? Without doubt they will find an amazing amount of new, high quality research that has changed our understanding of the Great War. But have the commemorations reflected this changed narrative or have they reinforced the myths and iconography associated with First World War and which are embedded in our collective memory? Some historians are asking whether the last four years have been a lost opportunity.

From a personal point of view it feels as though much of the national commemoration did focus on traditional themes and symbols such as the mud and blood of the western front, the experience of the war poets, the silhouetted soldier. There have been some stunning artistic responses to the centenary, commissioned by 14-18 Now, including Blood Swept Lands and Seas of Red, Jeremy Deller’s We’re Here Because We’re Here, Danny Boyle’s Pages in the Sea and film-maker Peter Jackson’s They Shall Not Grow Old.

14-18 Now

But these have also drawn criticism. 14-18 Now estimates that 35 million people engaged with their commissioned events, but historians Professors Maggie Andrews, of the University of Worcester, and Sarah Lloyd, of the University of Hertfordshire, question whether people critically engaged or merely encountered them. Were these national events, exhibitions and installations sufficiently challenging of historical myths?

There has been much work on myth-busting over the past four years but it can be tough going up against advertising executives and picture editors who are not historians. An enduring myth, reinforced by TV adverts and wrongly credited photographs, is that the Christmas Truce of 1914 happened throughout the western front and that football matches were organised between German and British troops. Neither is an accurate picture of what happened. (Check out Dan Snow’s mythbusting articles for the BBC.)

At a regional and local level, however, I feel very positive about the projects and events that have taken place. Over the last four years much of my work as an education officer has focused on researching Wiltshire’s role in the First World War and passing on that learning to others, especially primary school teachers and pupils keen to make the most of the local history study that is part of their curriculum.

Forest and Sandridge Melksham Remembers

Another aspect of my work has been supporting other organisations in delivering the educational side of their FWW projects. My colleagues in archives and local studies have also been busy acquiring new collections and publications that support the study of the Great War.

WW1 Local Studies publications at WSHC

The number and range of FWW projects in Wiltshire has been impressive and sadly I cannot list all of them, but a good place to start is the History Centre’s own Wiltshire at War – Community Stories project.

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