Wolseley House, Market Lavington – a house of medics

on Tuesday, 20 June 2017. Posted in Architecture, Archives

WBR recently looked at Wolseley House in Market Lavington. This fascinating house is tucked away at the east end of the village. The land on which it stands apparently once belonged to the chantry of the parish church. Examination of the physical fabric showed that it dated from the early 18th century, as the listed building schedule suggested, and the rough dates of additions. What the list does not do is tell you about the succession of occupiers and what they did. Our redoubtable researcher Margaret researched the history and among other facts she found that from 1826 until the early 20th century the house was occupied by those of the medical profession. In 1831 the parish registers show William Tucker, a surgeon, as both owner and occupier of a house and land on which 9/- tax was paid. The house next door (now called Ivy Lodge) was also curiously occupied by a general practitioner in 1851.

OS 1936 edition Sheet 40/14

It was then found that this concentration of medics was probably due to the proximity to Fiddington House, which had become a private lunatic asylum in about 1817. Other medics occupied the two houses after 1831 including a James Herriot, a general practitioner (not the vet!), and William B. Pepler described as a ‘surgeon and apothecary’.

Bridport Museum Redevelopment: A Taxidermy Tiger and More

on Tuesday, 13 June 2017. Posted in Conservation, Museums

The conservation team have been very busy over the last year as part of the collection consultant team, led by Tim Burge Museum Services (www.timburge.org), helping Bridport Museum with their big redevelopment. We saw the fruits of the Bridport staff, many volunteers, contractors and specialist’s labour at the grand opening on the 26th of May.

The project, mostly funded by the Heritage Lottery Fund, brought the collection consultant team on board at an early stage to help and provide advice at every part of the process. Our work at the museum started just under a year ago, when we were on-site to assist with the safe removal and return to storage of all the objects on-display, before the builders moved in to improve and develop the building.

In the background work continued in many areas, with the collection consultant team advising on environmental controls required within the museum, to the materials which are safe to use in the display cases and mounts, many of which were bespoke made to fit individual objects.

Some of the objects from the collection required conservation treatment to look their best before they were ready to take the lime light on display in the new museum. We provided training so the large and dedicated group of Bridport Museum volunteers could undertake the majority of the cleaning required.

Some objects, though, required a more practised hand or treatments such as stabilisation for which we undertook conservation treatment both at the lab in the Wiltshire and Swindon History Centre and on site at Bridport Museum. This included a wide variety of objects, from a taxidermy tiger, to prehistoric fossils and copper alloy buckles from a set of Lorica (Roman armour).

Dear Diary

on Tuesday, 06 June 2017. Posted in Archives, Wiltshire People

To celebrate the 70th anniversary of the archive service we are putting together an online exhibition of 70 favourite documents from the archive chosen by staff and volunteers. One of the items chosen was only recently deposited and is a remarkably detailed record of its type; Thomas Pinniger's farming diary for Little Bedwyn and Beckhampton farm, Avebury 1828-1832 (ref 4381/1/5).

Entries of note include the purchase of Beckhampton farm and Beckhampton Inn from Anthony Guy of Chippenham,  27 Feb and 18 Jun 1828; a note about Guy's subsequent bankruptcy, Nov 1829-Jan 1830; Work on the new house began 25 Sep 1828, completed Oct 1830; difficulties in digging chalk for the roads led to an accident in the chalk pit, 29 Jan 1830; note about the 'Swing Riots', Nov 1830 (pictured above); efforts to clear snow from the main road (A4) , 21 Jan 1830; fruit trees planted in garden, 8 Mar 1830;  fire at Mr Neat's farm at Monkton, 5 Jun 1831; trees planted in the yard, 10 Dec 1831; notes of the deaths of relatives and friends, including son Thomas (Large), 31 Jul 1828; verse by rev William Lisle Bowles on the death of Richard Sadler Smith at Bremhill, 31 Mar 1832; and references to thrashing machine, 6 Mar and 23 Jul 1832.

Unsurprisingly diaries can be one of the most engaging sources in the archives because they enable us to hear such a clear and individual voice from the past.

We have some interesting examples in our collections, including an almost complete series of diaries belonging to writer Edith Maud Olivier (ref 982/32-78). The entries are daily and written in detail covering 1894-1948 including this entry relating to a visit of Laurence Olivier and Vivien Leigh in February 1944.

Entry of Feb 1944 describing visit of Vivien Leigh and Laurence Olivier (ref 982/73)

The Wiltshire Record Society has also published volumes of transcripts of diaries and notebooks including:

‘Cherished memories and Associations,’ a manuscript memoir by William Small 1881 (Volume 64; original document reference 2713/2)

William Small, a painter and glazier of 1 New Street, Salisbury, of his life in Salisbury, with biographical details of his family and Salisbury people, tradesmen, apprentices and inhabitants of the Close. There are also details of the history of several houses, particularly in East Harnham where Small was born in 1820. The text is interspersed with poetry and items of local and national interest such as the funeral of Benjamin Disraeli in 1881, the Shrewton flood 1841 and an account of the history of Salisbury probably based on the work of Robert Benson and Henry Hatcher. There are also notes of various events in the Salisbury area 1737-1739 (probably taken from the Salisbury Journal).

These entries provide an insight into his trade, historic Salisbury, particular buildings, and into the detail of everyday life that would otherwise be lost to history. Plants and animals often feature as well as the agricultural area surrounding the city.

Through his description of The Close of 50 years previous, we gain an insight into how the area changed:

The Close was quite different then from what it is now, Wild thorn and elder hedges in a wild state, a great many large trees about… the Grass was laid up for Hay and Farmer Drake of Netherhampton, used to bring his Waggons in, & cart it away. In 1836 or 1837 there was a very high wind in January I think, & blow down all the stately Elm trees on one side of the walk (called lovers walk) but one, prostrate across the field, then the same year the present young ones were planted” (volume one, page 161-2)

Snappers and Gunners: behind the scenes at the Fox Talbot Museum and the Royal Artillery Museum

on Wednesday, 31 May 2017. Posted in Museums

One of the best things about my job is visiting different museums around the county, seeing behind the scenes and finding out about all the exciting things that are happening. Last week I was lucky enough to go to two museums and get a peek at things not normally seen by visitors.

First up was a visit to the Fox Talbot Museum https://www.nationaltrust.org.uk/lacock-abbey-fox-talbot-museum-and-village/features/learn-about-the-history-of-photography in Lacock, with the Wiltshire Museum Group. The Museum tells the story of the history of photography, from the very first photographic chemical processes to the modern smartphone. It also celebrates the life and work of William Henry Fox Talbot who lived in Lacock Abbey. A Victorian pioneer of photography, Fox Talbot created the earliest surviving photographic negative, taken in 1835, of a window of the Abbey. Upstairs there’s a gallery with a changing temporary exhibition programme, which explores photography as an art form.

The Fox Talbot Museum
‘Plants in a different light’ www.nationaltrust.org.uk/lacock-abbey-fox-talbot-museum-and-village/features/plants-in-a-different-light-by-jan-ramscar by Jan Ramscar is the currently temporary exhibition at the Fox Talbot Museum. It features botanical projection photograms, in the spirit of those created by Fox Talbot himself.

Curator Roger Watson, told the group about a current project to acquire and manage the Fenton Collection. Thousands of photographs from the 19th and 20th centuries were collected by James Fenton, along with a wide range of photographic technologies – including cameras, exposure meters and stereoscopic viewers. He displayed them in his own Museum of Photography on the Isle of Man, before donating them to the Museum of the Moving Image in 1986. All the items had been in storage since the museum closed in 1999 and last year the British Film Institute had donated them to the National Trust’s Fox Talbot Museum.

Funded by the Heritage Lottery Fund www.hlf.org.uk and the Prism Fund www.artscouncil.org.uk/funding/prism  the project has brought the collection to Lacock, where it is being catalogued and cared for, including being re-housed in a newly created store.

Store in a barn

The new store is built inside one of the traditional buildings in Lacock – from the outside you wouldn’t be able to tell what’s kept within. A room has been built inside the barn to house the objects. This is insulated to help keep the environment stable and the conditions the best possible to ensure the preservation of all the treasures kept within.

The new store
Volunteers Ros and Annette cataloguing photographs from the Fenton Collection at the Fox Talbot Museum. In the public area of the museum, they are happy to chat to visitors about what they’re doing and help people understand how museum collections are looked after.

Poems and stories inspired by the Arctic Convoys

on Tuesday, 23 May 2017. Posted in Archives, Military

 

The final piece of the Arctic Convoy project has just been completed – and what a resounding success.

The History Centre joined forces with writer and arts facilitator Dawn Gorman to work with a group of young people on a creative writing project using the Second World War Arctic Convoy oral histories as source material. We approached St Laurence School in Bradford on Avon and the Chippenham Air Scouts to recruit youngsters to the project.

We were knocking on an open door at St Laurence as we had worked with the school in 2016 on the Iron Duke project and we knew there would be students eager to hone their creative writing skills. Four students signed up to the poetry workshops being run by Dawn.

To be fair the Scouts were a slightly trickier audience, even with the promise of earning another badge if they took part. Dawn and I attended one of their meetings and spoke with around 20 youngsters, mostly aged 11-13 and mostly boys, about the stories of the Arctic Convoy veterans and the idea that anyone and everyone can enjoy creative writing!

I had brought with me Second World War magazines, a selection of photographs of veterans interviewed by the History Centre in the first part of the project, and a medal presented by Russia to British sailors who had served on the convoy ships.

This brief session prompted two of the Scouts to share with the group that their great grandfathers had been sailors on Royal Navy ships escorting the merchant ships carrying supplies to Russia. In the end we had four Scouts signed up to the workshops and they were joined by a member of Corsham Sea Scouts.

The starting point for the creative writing was to listen to the stories told by some of the Wiltshire veterans of the convoys. These oral histories and their transcripts can be accessed at the History Centre. On our website we have uploaded a series of short films with abridged versions of the oral histories and it was these recordings that were used in this project.

Dawn worked in school with the Year 10 and 11 students on poems inspired by these men’s stories while the Scouts took part in a more structured series of workshops held at the History Centre.

The boys created both poetry and storyboards based on the Arctic Convoys. Dawn worked with them on “found poetry” – creating poems from pre-existing text – the five senses and creating a hero profile and story. 

Trowbridge shows its sympathy

on Tuesday, 16 May 2017. Posted in Archives, Military, Wiltshire People

P56517

I was recently cataloguing an early 20th century postcard for our Historic Photograph & Print Collection which was quite unusual; it was commemorating the death of two gunners called Harrild and Murray. Included on the front of the postcard were photographs of each of them. I really wanted to find out more. What happened to these men and what were their full names? Even a location for the event wasn’t clear, so I needed help!

After a timely tweet, Trowbridge Museum came up trumps and confirmed that the men had been stationed at Trowbridge Barracks and had been involved in an accident with the funeral being held on 30th July 1909.

My next port of call was to a local newspaper, the Wiltshire Times, where on Saturday 24th July 1909 the inquest was reported. The two gunners were Sidney Harrild (age 19) and Richard Murray (age 26), and another, Gunner Wells, who was seriously injured. It appears that the gunners were removing primers from shells although there was a debate around whether the powder was also being removed. The powder in seven of the cartridges exploded, with “terrible results”. The funeral was also reported, occurring slightly earlier than we thought, on 27th July.

Wiltshire Times

“With full military honours, the remains of Gunners Murray and Harrild were laid to rest on Tuesday afternoon, the awfulness of the tragedy and the solemn progress through the streets of the soldiers with their dead comrades combining to make this occasion one that will not soon be forgotten.”

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